Instead of using a container to mix a small amount of epoxy, just make a mixing surface on your workbench using painters tape. Simply lay down strips, overlapping the edges so the epoxy doesn’t get on your bench. When you’re done, peel off the tape and throw it away. This mixing surface will work for more than just epoxy, you can use it for wood glue or any other material you need easy access to while working on a project.
Iron-on edge-banding is a quick way to cover up an edge on plywood. Trimming the excess, however, is tricky. I’ve tried edge-banding trimmers, but I find the results are unpredictable. With the trimmers I’ve tried, it wasn’t easy to change the direction of the cut to suit the grain direction of the edge-banding. If you’re cutting against the grain, you’re likely to tear out a chunk of your new edge-banding. Instead, I use a wide, sharp chisel. This way, I can read the grain direction and trim accordingly. Angle the chisel slightly and go slow, raising the back corner of the chisel just enough so that it doesn’t dig into the plywood veneer. Smooth the corner with a sanding block after trimming. Check out this amazing edge band veneering project!
Even if you buy your lumber already planed, you will still encounter many circumstances that require the use of a planer. For example, you might want to build a simple and delicate jewelry box out of small scrap pieces lying around the shop, and you will end up making a small and clunky jewelry box because all of your lumber is 3/4″ thick, and that’s how it is going to stay. That is just the first example. Think about all of the other times that you will pick up a piece of lumber in the shop and it will be the wrong thickness, either just slightly wrong or in an entirely different size category. A planer is a real problem solver and can fix all of that.
I have found that drawing everything to scale on grid paper is most helpful. That is what I am doing in preparation for my new shop. I will, however need to share that space from time to time with my wife’s hobby (hatching and raising chickens). Just a few in the spring till they get big enough to go outside. I am planning on a 26″ x 40″ building with infloor hydronic heat. Others have mentioned that you can’t have too much light, and I intend to use the 200 watt cfl’s to accomplish this, along with task lighting at each machine. Walls and ceiling will be painted white to reflect as much of that light as I can. I want to use the same type of floor treatment that Marc has used in his new shop. Marc, is it really expensive to do that? Or if a guy has never done that would it be better to hire out that job? Lumber storage I have not decided yet. I am fortunate that I am able to fell trees on our farm and have them cut up so I can stack and dry them. We have white oak, red oak, maple, cherry and pine. Although drying/storage will be in another building will still have to tote my boards around some.
In this video Dave Heller shares a detailed tutorial on making fancy London-style dovetails with a mitered corner. The London-style dovetail originated in, well, London where cabinetmakers sought to show off their joinery skills by cutting the finest pins possible. Adding a miter to dovetails is very useful for wrapping a dovetailed skirt around a tool chest, or for adding embellishment to a cupboard's carcass. In the very near future I'll be releasing the last video,
The number of windows, as well as their sizing and placement, depends on your orientation, view, desire for ventilation, and needs for daylight and solar gain. Orienting more of your windows towards the south side of your shop and placing them high enough that they are shaded by the eaves in summer, but allow lower-angle winter light to come in, will increase your ability to get free light and heat from the sun. If your goal is to take advantage of passive solar opportunities, make sure that you carefully research the type of glass that is in your windows and look for something with a high solar heat gain coefficient. Higher windows generally allow for benches and tools beneath them, and relatively windowless north walls may be a place to arrange wood storage or mechanicals.
Some of the most important decisions in laying out a shop involve the placement of basic machines, such as the table saw and jointer. Deciding where to put them depends in part on the scale of woodworking you do, which determines the clearance area around these machines if you need to handle long stock or large sheet goods. You’ll also want to consider work flow to avoid an excess amount of running around the shop to accomplish tasks, as well as how to power your machines without turning your shop into a snakepit of extension cords.