If you work with rough lumber, a planer will be absolutely necessary, except for the most rustic of projects. Every piece of rough cut lumber ends up somewhat not straight, not flat and not consistent in thickness, either from variations during the sawing or from stresses which occur while the wood dries. The planer, combined with the jointer, is a one-two punch to remove these variations and produce straight, flat and consistently thick lumber. The reason the planer is ahead of the jointer on this list is that some lumber is straight enough and flat enough to plane without jointing if the job is a little less finicky, thereby skipping the jointer.
I mix a lot of epoxy in small batches, but I’ve seldom had the right size container on hand. I solved this problem by drilling 1-1/2-in. holes in 2×4 scraps with a Forstner bit. The resulting shallow “cups” allow easy mixing without the risk of spilling. When the holes are used up, I just make a new mixing board. — Bill Wells. Save your takeout utensils to use in the shop!
Along the opposite long wall are the planer, combination sander, drill press, bandsaw, workbench, and compressor. Each tool has dust-collection hookups and storage space to keep the relevant tools, bits, blades, and fixtures nearby. The planer is the only tool I have to roll out into the middle of the room to use, which takes about a minute, including connecting the dust-collection hose.
Not happy with the selection of sanding blocks at the hardware store, I made a few of my own from hardwood scraps left over from a woodworking project. I cut each one to 3/4 in. x 1-1/2 in. x 4-1/2 in.—which is just the right size to wrap a quarter sheet of sandpaper around. And the “kerf” cut helps hold the sandpaper in place until I’m ready to change it. —Tim Olaerts. Here are 41 more genius sanding tips you need to know.
Not long ago, I needed to make some angled wood parts to build a new soffit on my garage. I didn’t have the customary tool for the job, but I had some steel joining plates. I screwed through one of the holes in the plate, set my angle, then added another screw to lock the angle. I could then use it as a template to mark all the pieces at the same angle and cut them with my circular saw. — Ryan Bartsch
I’m helping my son (who is significantly disabled) get started with a business idea that he had — one that I’d think was brilliant even if I weren’t his Mom — brilliant enough that I’ve “retired” from my law practice and moved us from MO to GA. Having lost 99.9% of ALL of my tools in the move (even the big ticket items, nearly 30 years collection — stolen by the mover!) I am now re-investing in tools, limiting my purchases to what we must have rather than all the fun stuff I used to have. . . .(So sad).
Radial-arm saws, sliding compound miter saws, and powered miter boxes (chop boxes) used for crosscutting long boards are best located against the longest wall of the shop, as shown in the first option in the illustration. If the saw is to become a stationary machine, it’s typical to mount or build it into a long, narrow support table fitted with a fence.
Well you can only do so much with your given space. These guidelines are just general best-practices, but that certainly doesn’t mean everyone will be able to execute them to the letter. Even I make concessions for my personal situation. And yes, there would be differences in a Festool shop. I imagine everything would simply revolve around an MFT. :)
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I have a 3 car garage, 1-2 car bay, 1 single bay. I made some simple saddle brackets that hang on the outside of the garage door track (V shaped with the top of the V having a cleat that stabilizes the bracket against the top of the track, stove bolts hold the brackets to the track without interfering with the door). Through the bottom of the brackets are drilled holes to hold 3/4″ EMT metal conduit. This is available in 10 ft lengths which is enough to span the single bay track width. I used cotter pins to hold the conduit in the brackets. Eye bolts that slide over the conduit can then be mounted to a 2 bulb flourescent light fixture and bingo, you have lighting that works with the garage door up or down. I did this for my single bay which is where I have my tablesaw and bench/outfeed table. I centered the light at the tablesaw/outfeed table juncture and it makes for awesome lighting for both surfaces.
Lumber storage is spot on, I think especially for a basement shop – I used to store my lumber at the furthest point from the outside door, and it wasn’t until I moved it closest to the door that I realized how much of a difference it could make. And sheet goods are starting to be stored and broken down in the garage more so I don’t have to fight them into the basement.
Hard to determine which stain you need in that bespattered collection of cans? An easy-to-make “stain index,” courtesy of reader Bob Jacek, solves the problem. Section off boards of your favorite woods into squares with masking tape, and apply the different stains across the width of each wood type (pine, oak, birch, etc.). When the stains are dry, brush on lengthwise your regular finishes—polyurethane, water-based polyurethane, oil, orange shellac, etc. You’ll be able to tell how each stain looks with each finish. Label each one. Use both sides of each board, and you’ll have a wooden encyclopedia of stain and finish combinations. Plus: How to stain wood evenly.
I place the band saw first in my order of purchases, because I consider it the heart of the shop. Band saws are very safe tools for ripping, re-sawing, cutting curves and more because all of the force is downward, virtually eliminating any chance of unexpected kickbacks. I wanted a saw that had a strong back, dynamically balanced cast iron wheels for smooth operation and flywheel effect, 12" depth of cut, good dust extraction design, a large table and a solid fence. After shopping around, I settled on the General International Model 90-170 14" saw. It is very smooth, comes with an Excalibur fence, and it is light enough (133kg) to move into your basement without crushing someone.
As the comic George Carlin might say, a shop is mostly just “a place to put your stuff.” The physical aspect of a shop is indeed simply a space of some kind — a garage, a barn, a teepee — that keeps the rain, rust, and robbers away and houses a collection of implements needed to saw, plane, slice, sand, and pound raw wood into useful objects. But just like the difference between a house and a home, what transforms a building full of tools into a comfortable workshop goes beyond the mere physical aspect.