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Lumber storage is spot on, I think especially for a basement shop – I used to store my lumber at the furthest point from the outside door, and it wasn’t until I moved it closest to the door that I realized how much of a difference it could make. And sheet goods are starting to be stored and broken down in the garage more so I don’t have to fight them into the basement.
In most small shops, once the key machines are in place, others are arranged wherever there is room for them. There typically isn’t enough free space for these tools in the middle of the floor area, although sometimes you can tuck a machine into an unused space. For example, in a shop where the table saw is in the center, a shaper (or a router table or spindle sander) with a table the same height as the saw can be put on the outfeed side of the extension table (see the illustration). Also, building a router table directly into the table saw’s extension table is a great way to save space, as well as make use of the saw’s fence for routing operations.
Cutting thick, rough, warped hardwood can be cumbersome and dangerous. To provide some control over this process, I built a chop-saw station with wings that extend to support long boards. Again, anytime you make something that consumes shop space, make a shelf underneath to gain storage. The chop saw sits in a recess so that the deck of the saw is at the same height as the workstation deck.
I agree with all of these tips in a larger shop. In a smaller shop (mine is just under 400-square feet) most things are fairly close together anyway. One of my original principals for shop layout was … how is a machining process performed on a piece of wood? Is the wood stationary while it is machined … or does the wood move through the machine? If the wood is stationary, I have tried to have this set for one side wall of the shop. To be specific, I have four machines in one line with a continuous table to support long pieces that might need cutting from one or all of those machines. The machines in that line are (from left to right) the drill press, the powered miter saw, the square-chisel mortiser and the radial arm saw.
The number of windows, as well as their sizing and placement, depends on your orientation, view, desire for ventilation, and needs for daylight and solar gain. Orienting more of your windows towards the south side of your shop and placing them high enough that they are shaded by the eaves in summer, but allow lower-angle winter light to come in, will increase your ability to get free light and heat from the sun. If your goal is to take advantage of passive solar opportunities, make sure that you carefully research the type of glass that is in your windows and look for something with a high solar heat gain coefficient. Higher windows generally allow for benches and tools beneath them, and relatively windowless north walls may be a place to arrange wood storage or mechanicals.
Alternately, a detached shop can often be located closer to your property line and offers you a bit more freedom in terms of the type of foundation you can use. It may give you a sense of welcome separation from your home and open up yard space or allow a deck on the back of your house that would otherwise be lost behind your shop. In an urban setting, if you would like to have a wood stove in your shop you may find it more challenging to find an insurance carrier that allows one in an outbuilding. Also, outbuildings can be subject to more stringent height regulations than additions.
There are benefits to either approach. Sharing a common wall with your house can require some careful soundproofing but can reduce heat loss and exterior finishing costs like siding. A shop located in an addition is more likely to be allowed to have living space or storage space above it, and it may be easier to make use of the existing plumbing and electrical and heating systems of your home to service your shop space. Another advantage of an addition is not having to run to an outbuilding in minus-30-degree weather or a summer downpour.
Hardwoods are separated into two categories, temperate and tropical hardwoods, depending on their origin. Temperate hardwoods are found in the regions between the tropics and poles, and are of particular interest to wood workers for their cost-effective aesthetic appeal and sustainable sources. Tropical hardwoods are found within the equatorial belt, including Africa, Asia, and South America. Hardwoods flaunt a higher density, around 65lb/cu ft as a result of slower growing rates and is more stable when drying. As a result of its high density, hardwoods are typically heavier than softwoods but can also be more brittle. While there are an abundant number of hardwood species, only 200 are common enough and pliable enough to be used for woodworking. Hardwoods have a wide variety of properties, making it easy to find a hardwood to suit nearly any purpose, but they are especially suitable for outdoor use due to their strength and resilience to rot and decay. The coloring of hardwoods ranges from light to very dark, making it especially versatile for aesthetic purposes. However, because hardwoods are more closely grained, they are typically harder to work than softwoods. They are also harder to acquire in the United States and, as a result, are more expensive.
I consider it part of my job to answer emails from my fellow woodworkers. Guild members or not, everyone receives a response. Occasionally, I get a question that requires a very detailed answer and that answer in and of itself would make for a decent blog post. That happened this morning when a Guild member asked me for advice on shop layout. I brainstormed some basic tips that I think apply to nearly all wood shops (at least the ones that incorporate some power tools). Of course, shop layout is something that evolves over time and really comes down to one’s personal preferences and tool choice. But here are some simple rules of thumb that came to mind; some more obvious than others. If you have some tips to add, please do so in the comments!
You may want a garage door if you will need to access your shop with large workpieces or tools, or if you or future owners will ever want to use the space to park a vehicle. Garage doors are notoriously drafty, however, so if you think you can live without one you will probably be warmer. Instead, you could opt for out-swinging double doors. In a small shop you can, at a pinch, rip longer lengths of lumber by feeding the material out of either a strategically placed door or window.
I mix a lot of epoxy in small batches, but I’ve seldom had the right size container on hand. I solved this problem by drilling 1-1/2-in. holes in 2×4 scraps with a Forstner bit. The resulting shallow “cups” allow easy mixing without the risk of spilling. When the holes are used up, I just make a new mixing board. — Bill Wells. Save your takeout utensils to use in the shop!
In the above video James "Jim" Huggett shares a recent tour of his Furniture Making workshop in Earlysville, Virginia, just a few miles from the Wood And Shop Traditional Woodworking School. Jim reached out to me over a year ago, after he learned that my shop & school were just down the road from him. I dropped by his workshop (J.F. Huggett Custom Furniture), and was amazed that such an accomplished and skilled furniture maker
Woodworking was essential to the Romans. It provided, sometimes the only, material for buildings, transportation, tools, and household items. Wood also provided pipes, dye, waterproofing materials, and energy for heat.:1Although most examples of Roman woodworking have been lost,:2 the literary record preserved much of the contemporary knowledge. Vitruvius dedicates an entire chapter of his De architectura to timber, preserving many details. Pliny, while not a botanist, dedicated six books of his Natural History to trees and woody plants, providing a wealth of information on trees and their uses.
My shop consists of a 9×16 storage building, with 3 feet being used for actual storage! I have a table saw, 13″ planer, lathe, sliding mitre saw, home made router table, small compressor, 5′ 4 drawer bench with vice, table top drill press, 6″ jointer, band saw, shop vac, wall mounted hand tool storage, clamp rack, power tool storage, and no room to turn around! But I put out a few nice pieces! Recently built, a 48″ entry table from 100 yr old milled poplar, coffee table from the same re milled red oak barnwood, and a little triangle shaped corner table from the left over red oak, a 7′ x48″ bookcase from old poplar, a small wall mounted poplar book case, and am presently working on a queen sized bed with a mixture of 100 yr old oak and new kiln dried oak, with drawbored pegging using black walnut from a tree from my yard! I’ve also made several mallets that I find useful from my firewood pile using Cherry, ash, hickory and white and red oak. Building anything in 108 sq ft is a challenge, but patience determination, and decent sales will make it work! One good point is that nothing is out of reach! Except maybe the bathroom!
If your shop will be attached to your house or another structure, it will likely need to match its foundation, tying the two structures together so that one does not structurally stress the other if they shift differently. That may dictate a poured concrete or concrete block foundation. Regardless of your foundation type, a cold concrete floor will sap energy away from the rest of the structure if you are not careful, so think about how to insulate it well before you build.
Jointer: I use my jointer a lot. When preparing rough lumber it sees as much action as the planer. As a matter of fact, almost every piece of lumber in my shop gets surfaced on the wide face to straighten things out before it even heads to the planer. Without the jointer, my life would just be a crooked, twisty mess of painful attempts to make things seem straight.
Keep in mind, there are no perfect boards, but try to always use the straighter boards and avoid warping boards. Also, Brandon and I have found that when it comes to picking out lumber at Home Depot and Lowes, they tend to stock up on fresh boards a few days before the weekend starts (so Thursday/Friday). And then, on Sundays and Mondays, the boards are usually really picked over and there isn’t a good selection. Just another tip to keep in mind!
I set an initial budget of $10,000 to build the shop – everything from studs and drywall to hand tools and machinery. The final number was over by $1,000, but I’m still very happy with the result. The shop is now my haven, with a good sound system and good lighting. Every time I go back into the shop, it is exactly the way I left it, because it is my shop!
Efficiency does not always increase with experience, because as our woodshops grow older, they sometimes become unnecessarily rearranged or cluttered. And if you’re just now setting up your first woodshop, this shop layout should give you a great starting point. Each picture represents one half of a standard two-car garage. Click on the images for a larger view, and if anything is unclear, ask a question in the comments field!
Finally, think about the overall color and feel of your workshop. A fresh coat of bright white paint will help your lighting go farther, but you might also consider adding a splash of color for fun. An accent wall or an epoxy floor coating are good ways to upgrade your workshop from drab to fab without adding fussy decorations that will get in the way of business.
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Fir, also known as Douglas Fir, is very inexpensive and common at local home centers. It has a characteristic straight, pronounced grain with a red-brown tint. However, its grain pattern is relatively plain and it does not stain well, so Fir is commonly used when the finished product will be painted. While commonly used for building, this softwood would also be suitable for furniture-making as well.
Natural Light. Natural light is best, so any windows that offer illumination to the space should be put to good use. If you have little sunlight in your shop, locate your workbench so that its work surface gets whatever there is. Even the best eyesight is made better by good light, so the close work to be done on a benchtop benefits from the natural light.
I recently taught a three day "Introduction to Hand Tool Woodworking" class here at my traditional woodworking school in Virginia, and want to share the experience to give you an idea of what the class is like. The first thing students do in this class is learn about & try out workbenches and all the different hand tools in the shop. Then they jump in and use a folding rule to measure out a length
Gone are the days when you could apply for a building permit based on a sketch on the back of a cigarette package. In provinces like Ontario, design work must be undertaken by an insured designer registered under the provincial building code or by the owner of the property. You can do the drawings as the owner if you can demonstrate effectively through your drawings that your structure will comply with the technical requirements of the building code in a clear and concise way. You will be required to submit detailed drawings, including the following:
I use binder clips for a lot of things around the shop, and here’s one that I thought I’d share. When I need to make multiple cuts all the same length, I just clamp my jumbo binder clip to my fence and use a 1/4-in.-thick wood scrap pinched in the clip as a stop. Works like a charm! When it’s not in use, I clamp it to the cord so it’s always nearby. — John Muchow
The beauty of a portable A/C unit is that you don’t have to heft it into a window and block off a valuable source of fresh air for keeping paint fumes at bay. Instead, choose a model with a low profile that you can tuck under a table or against a wall when not in use — a model with casters for maximum maneuverability is ideal. Choose a high-powered unit that will condition at least 400 square feet of space and move it where you need it for maximum comfort as you work.