Position #3 is where you will likely spend most of your time in the shop. The diagonally placed workbench is the heart of this plan. The wall-mounted workspace that surrounds the bench forms an ideal “work triangle” within which each of your most commonly needed tools is only one or two steps away. The band saw can be placed outside of the work triangle because it is used slightly less frequently and often needs a little more space around it for your lumber to move.
I’m helping my son (who is significantly disabled) get started with a business idea that he had — one that I’d think was brilliant even if I weren’t his Mom — brilliant enough that I’ve “retired” from my law practice and moved us from MO to GA. Having lost 99.9% of ALL of my tools in the move (even the big ticket items, nearly 30 years collection — stolen by the mover!) I am now re-investing in tools, limiting my purchases to what we must have rather than all the fun stuff I used to have. . . .(So sad).
Table saw: Of all of the tools in the shop, the table saw is the most useful and versatile. It excels at making straight cuts, and with the addition of any of a million jigs, can be made to perform an amazing number of tasks with repeatability and precision. I use the table saw for roughing out smaller parts from larger pieces, all the way through trimming parts to final size. The only limit to the table saw is that the piece needs to be small enough to be pushed through it. Above a certain size, the table saw becomes less useful and even impossible to use as the saw needs to be brought to the piece, instead of the piece being brought to the saw.
Just as a shed or garage can get stifling in the summer heat, winter cold can also make working conditions difficult — if not impossible. To prevent clumsy, stuff fingers from ruining your projects, you need a way to heat your workshop in even the most extremely frigid days of the year. A traditional residential space heater probably won’t cut it, as these are designed to heat single rooms. For a two-car garage or full basement, you’ll need something much bigger.
Often times at first glance a board looks straight and the fact that it is actually bowed or has some warping isn’t always obvious. So the trick to knowing for sure, is to hold the board up towards your face, with the other end on the ground, and look at it at a downward angle (as shown in the below photo). This method will allow you to see if it is bowing at all.
Even if you buy your lumber already planed, you will still encounter many circumstances that require the use of a planer. For example, you might want to build a simple and delicate jewelry box out of small scrap pieces lying around the shop, and you will end up making a small and clunky jewelry box because all of your lumber is 3/4″ thick, and that’s how it is going to stay. That is just the first example. Think about all of the other times that you will pick up a piece of lumber in the shop and it will be the wrong thickness, either just slightly wrong or in an entirely different size category. A planer is a real problem solver and can fix all of that.
Examples of Bronze Age wood-carving include tree trunks worked into coffins from northern Germany and Denmark and wooden folding-chairs. The site of Fellbach-Schmieden in Germany has provided fine examples of wooden animal statues from the Iron Age. Wooden idols from the La Tène period are known from a sanctuary at the source of the Seine in France.
From felling the trees through installation of the final piece Scott Wunder, owner of WunderWoods in St. Charles, MO, shares his woodworking knowledge with anyone that will talk to him about wood. Whether you want to learn about milling lumber or need help on a project, get your fill of woodworking infotainment at WunderWoods.com. Scott writes about all aspects of woodworking and specializes in finishing (mostly because no one else likes to sand).
I recently taught a three day "Introduction to Hand Tool Woodworking" class here at my traditional woodworking school in Virginia, and want to share the experience to give you an idea of what the class is like. The first thing students do in this class is learn about & try out workbenches and all the different hand tools in the shop. Then they jump in and use a folding rule to measure out a length
Another important factor to be considered is the durability of the wood, especially in regards to moisture. If the finished project will be exposed to moisture (e.g. outdoor projects) or high humidity or condensation (e.g. in kitchens or bathrooms), then the wood needs to be especially durable in order to prevent rot. Because of their oily qualities, many tropical hardwoods such as teak and mahogany are popular for such applications.
With an orbital sander and good sandpaper you can smooth wood evenly and easily with first-class results. When flush-sanding solid edge-banding, draw a squiggly line across the joint before sanding. The edge-banding will be slightly proud of the plywood veneer, so the pencil marks provide a visual aid to make sure that you’re sanding flat, and that you don’t sand through the plywood’s veneer. As you go, you can also test for a smooth, level transition by gently scraping your fingernails against the transition. If it’s smooth, your fingers will not catch on the seam between the two pieces
Line ’em up — Most other woodshop machines work harmoniously when lined up along the walls, where they are easy to power and connect to dust collection. The amount of space left between these tools depends on the amount of room you have, the size of the stock you work with, and whether or not adjacent tools have tables at the same height. You can always pull a machine away from the wall if additional space is needed. Clearly, these options are not the only possibilities and are contingent upon the mix of machines you have, the shape and size of your shop, and the kind of work you do. The bottom line is if the layout works for you, then that’s the best for your shop (and don’t let anyone tell you any different!).