A while back, I reached for my two containers of epoxy and noticed that the resin in one container had crystallized exactly like honey that’s been in the cupboard too long. The solution is exactly the same too: Set the container in a bowl of hot tap water. After about 15 minutes, I emptied the container and refilled it with hot water. After about a half hour, the epoxy regained its normal consistency. Good as new! — Ken Holte
Finding affordable lumber has always been a mainstay for woodworkers, and when you tie our dwindling natural resources into the conversation the time is right to look at milling your own lumber. This seven-part weekly video series takes you through how to find lumber, how to operate a sawmill, details on types of sawing methods, stickering and drying and ultimately advice on using a mill as part of a business. Learn what you need to know to understand Milling Your Own Lumber.
There are many factors to consider when deciding what type of wood to use for a project. One of the most important is the workability of the wood: the way in which it responds when worked by hand or tools, the quality of the grain, and how it responds to adhesives and finishes. When the workability of wood is high, it offers a lower resistance when cutting and has a diminished blunting effect on tools. Highly workable wood is easier to manipulate into desired forms. If the wood grain is straight and even, it will be much easier to create strong and durable glued joints. Additionally, it will help protect the wood from splitting when nailed or screwed. Coarse grains require a lengthy process of filing and rubbing down the grain to produce a smooth result.
Along with stone, clay and animal parts, wood was one of the first materials worked by early humans. Microwear analysis of the Mousterian stone tools used by the Neanderthals show that many were used to work wood. The development of civilization was closely tied to the development of increasingly greater degrees of skill in working these materials.
Cutting thick, rough, warped hardwood can be cumbersome and dangerous. To provide some control over this process, I built a chop-saw station with wings that extend to support long boards. Again, anytime you make something that consumes shop space, make a shelf underneath to gain storage. The chop saw sits in a recess so that the deck of the saw is at the same height as the workstation deck.
An interesting variation of this layout is displayed in Jim Tolpin’s shop, shown in the photo at right. Tolpin located his jointer to the left of his table saw, its height low enough to allow panels cut on the saw to pass over the jointer. To save space, his portable planer lives beneath the saw. All three tools are oriented toward the garage-style door, which can be opened to allow long boards to be ripped, jointed, or thickness planed.
My hand tools are stored in a cabinet built into my bench but my shop supplies, air tools, and a plethora of “misc stuff” is in a cabinet on the other side of the shop, and my clamps are mounted on a wall adjacent to my bench, where conventional wisdom says tools should be. I just like it that way. I run my DC overhead and drop down… because my floor is on a slab. My bandsaw is mobile so I can pull it out of a semi-alcove for resawing, otherwise it stays in place for small operations (20″ bandsaws are cumbersome to move, even on leveling casters).
Let’s be clear about one thing: No workshop is perfect for everyone. If there were, I could simply give you a precise plan to follow with clear dimensions. Every person who comes to the hobby, avocation, or profession of woodworking has his own particular collection of tools and his own peculiar work style, skills, and desires for the kind of woodworking he wants to do that gives him a unique approach as to how he will lay out a shop: where the tools should go, where lumber and supplies are stored, and how much bench area he needs.