I agree with all of these tips in a larger shop. In a smaller shop (mine is just under 400-square feet) most things are fairly close together anyway. One of my original principals for shop layout was … how is a machining process performed on a piece of wood? Is the wood stationary while it is machined … or does the wood move through the machine? If the wood is stationary, I have tried to have this set for one side wall of the shop. To be specific, I have four machines in one line with a continuous table to support long pieces that might need cutting from one or all of those machines. The machines in that line are (from left to right) the drill press, the powered miter saw, the square-chisel mortiser and the radial arm saw.
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Cutting thick, rough, warped hardwood can be cumbersome and dangerous. To provide some control over this process, I built a chop-saw station with wings that extend to support long boards. Again, anytime you make something that consumes shop space, make a shelf underneath to gain storage. The chop saw sits in a recess so that the deck of the saw is at the same height as the workstation deck.
I really appreciate the article. I am always looking for a way to improve my shop and its layout. I currently have a 34′ x 28′ garage which I park two vehicles and still have some room for a table saw, large bench and various smaller benches and cabinets. All of my large power tools are on casters so I can roll them out when I move the cars outside. Right now I am considering keeping my little truck outside permanently and set the shop up more in a fixed layout. This would make working in the shop more enjoyable and much easier to do more complex projects that I currently take on. Maybe this spring. Thanks for the advice.
A landscape designer friend of mine tells a story about the college he went to. During his years there, the university embarked upon an ambitious building plan, adding several large structures around the main quad: a dorm, a chemistry lab, and a couple of others. The look of the place, which had remained unchanged for a century, was suddenly transformed, as glass-and-steel modernist structures were interspersed with the earlier ivy-covered stone Victorian-Gothic.
In my shop I use a large number of Jorgenson F-clamps. I use many of the small clamps, the most useful being the 12" version. Large F-clamps are essential for cinching down parts on bending forms. I also like aluminum bar clamps because they are much lighter than steel clamps, and therefore less likely to damage a carcase should you bang into the wood during a glue-up.
Electricity. It’s a rare workshop today that doesn’t need electricity; most need multiple receptacles of high amperage (20 amperes or more). Are there plugs available or will you need to add new lines and circuits? If you need to add wiring, when laying it out keep in mind that there’s no such thing as too many outlets in a workshop. The fewer (as in, ideally, zero) extension cords the better; they’re safety hazards. A good minimum is to have receptacles set at no more than six-foot intervals around the perimeter of the room, and, if possible, flush-mounted floor plugs in the central area.
Minor variances are applications to your municipality to suspend a particular by-law to allow your project to proceed, based on common sense or precedents set by other buildings in your area. If your municipal committee of adjustment denies permission because a neighbour voices concern over the development, you would have to appeal the decision to the municipal board of your particular province. In that case, you may be better off looking for another piece of property with an existing structure that you could renovate, more relaxed zoning regulations, a larger lot, or more congenial neighbours.
I mix a lot of epoxy in small batches, but I’ve seldom had the right size container on hand. I solved this problem by drilling 1-1/2-in. holes in 2×4 scraps with a Forstner bit. The resulting shallow “cups” allow easy mixing without the risk of spilling. When the holes are used up, I just make a new mixing board. — Bill Wells. Save your takeout utensils to use in the shop!
First, let’s take a look at four placement options for the table saw, the machine that is at the heart of most woodshops. The first option (see the illustration) places it in the center of the shop, which lends maximum space and flexibility for ripping and panel sawing, as well as crosscutting long boards. The main requirement here is a shop that’s at least long and wide enough to allow room for the workpiece, both on the infeed and outfeed sides.