Keep in mind, there are no perfect boards, but try to always use the straighter boards and avoid warping boards. Also, Brandon and I have found that when it comes to picking out lumber at Home Depot and Lowes, they tend to stock up on fresh boards a few days before the weekend starts (so Thursday/Friday). And then, on Sundays and Mondays, the boards are usually really picked over and there isn’t a good selection. Just another tip to keep in mind!
In most small shops, once the key machines are in place, others are arranged wherever there is room for them. There typically isn’t enough free space for these tools in the middle of the floor area, although sometimes you can tuck a machine into an unused space. For example, in a shop where the table saw is in the center, a shaper (or a router table or spindle sander) with a table the same height as the saw can be put on the outfeed side of the extension table (see the illustration). Also, building a router table directly into the table saw’s extension table is a great way to save space, as well as make use of the saw’s fence for routing operations.
Finding affordable lumber has always been a mainstay for woodworkers, and when you tie our dwindling natural resources into the conversation the time is right to look at milling your own lumber. This seven-part weekly video series takes you through how to find lumber, how to operate a sawmill, details on types of sawing methods, stickering and drying and ultimately advice on using a mill as part of a business. Learn what you need to know to understand Milling Your Own Lumber.

Radial-arm saws, sliding compound miter saws, and powered miter boxes (chop boxes) used for crosscutting long boards are best located against the longest wall of the shop, as shown in the first option in the illustration. If the saw is to become a stationary machine, it’s typical to mount or build it into a long, narrow support table fitted with a fence.
Hardwoods are separated into two categories, temperate and tropical hardwoods, depending on their origin. Temperate hardwoods are found in the regions between the tropics and poles, and are of particular interest to wood workers for their cost-effective aesthetic appeal and sustainable sources.[9] Tropical hardwoods are found within the equatorial belt, including Africa, Asia, and South America. Hardwoods flaunt a higher density, around 65lb/cu ft as a result of slower growing rates and is more stable when drying.[9] As a result of its high density, hardwoods are typically heavier than softwoods but can also be more brittle.[9] While there are an abundant number of hardwood species, only 200 are common enough and pliable enough to be used for woodworking.[11] Hardwoods have a wide variety of properties, making it easy to find a hardwood to suit nearly any purpose, but they are especially suitable for outdoor use due to their strength and resilience to rot and decay.[9] The coloring of hardwoods ranges from light to very dark, making it especially versatile for aesthetic purposes. However, because hardwoods are more closely grained, they are typically harder to work than softwoods. They are also harder to acquire in the United States and, as a result, are more expensive.[9]
Natural Light. Natural light is best, so any windows that offer illumination to the space should be put to good use. If you have little sunlight in your shop, locate your workbench so that its work surface gets whatever there is. Even the best eyesight is made better by good light, so the close work to be done on a benchtop benefits from the natural light.
With strength, sturdiness, and durability, maple is a common material for furniture for the bedroom and even china cabinets. Maple is moisture-resistant and frequently displays stand-out swirls in the wood grain, an aesthetically pleasing differentiator from other hardwoods. While most commonly a lighter color, maple also can take stains and paint well.[13]
Gone are the days when you could apply for a building permit based on a sketch on the back of a cigarette pack­age. In provinces like Ontario, design work must be undertaken by an insured designer registered under the provin­cial building code or by the owner of the property. You can do the drawings as the owner if you can demonstrate effec­tively through your drawings that your structure will comply with the techni­cal requirements of the building code in a clear and concise way. You will be required to submit detailed drawings, including the following:

Usually ducting is well covered and one of the first things considered, however, most people initially neglect clean up when designing shops. With growth, I have a very cluttered shop that makes pulling shop vacs around frustrating especially if you’re at the wrong end of a 5m flexible hose without having to struggle with the vac (the practice of in no doubt exacerbated by those ridiculous vacuuming ads on TV). As my setup is retro fitted, it may not be pretty as it is ducted overhead, but it is productive. I have a centralised heavy duty ‘shop vac’ (rigged with a Dust Deputy) and 50mm stormwater piping radiating to selective parts (corners) of the workshop. I use 50mm water diverters to act as blast-gates to control the flow of air (I have a bank of them running down one full side of the workshop spaced about 5m apart). When I need to clean a part of the shop I plug the vac into the appropriate overhead vent, organise the diverters and attach a 5m flexible hose to the working end. I have the vac on a remote (one of those that control power points – all my dust extraction is controlled by these – after modifying any proprietary mag switches) and I can vacuum any part of my workshop without having to go and manually switch the vac on. I have bought some cheap off market flexible hoses and spread them at the extremities of the workshop. Each outlet will accept the hose. Hint – I bought a fairly low end 3D printer ($800 (Aust)) and I can print any sized coupling to accommodate all those non-standard ‘shop vac’ hoses/fittings to accept my proprietary shop vac accessories. Duct tape is now reserved for the few threaded non-standard couplings.

Softwood is most commonly found in the regions of the world with lower temperatures and is typically less durable, lighter in weight, and more vulnerable to pests and fungal attacks in comparison to hardwoods. They typically have a paler color and a more open grain than hardwoods, which contributes to the tendency of felled softwood to shrink and swell as it dries.[9] Softwoods usually have a lower density, around 25-37lb/cu ft, which can compromise its strength.[9] Density, however, does vary within both softwoods and hardwoods depending on the wood's geographical origin and growth rate. However, the lower density of softwoods also allows it to have a greater strength with lighter weight. In the United States, softwoods are typically cheaper and more readily available and accessible.[9] Most softwoods are suitable for general construction, especially framing, trim, and finish work, and carcassing.[10][9]

If you choose to hire a draftsperson or architect, they may charge you based on the square footage of the area you are proposing, by an hourly rate for their time or as a percent­age of the cost of the structure. Costs of building permits will be a percentage of the estimated cost of the structure you are proposing (e.g., $15 permit fee per $1000 or 1.5 percent), or a cost-per-square foot depending on your municipality (e.g., $1.20 per square foot). Design work and permits will both dif­fer depending on the part of the country in which you will be building, so ask the questions as you move ahead. One of the costs that is often overlooked in planning is the increase in annual property tax you will pay once your improved property has been reassessed.
Electricity. It’s a rare workshop today that doesn’t need electricity; most need multiple receptacles of high amperage (20 amperes or more). Are there plugs available or will you need to add new lines and circuits? If you need to add wiring, when laying it out keep in mind that there’s no such thing as too many outlets in a workshop. The fewer (as in, ideally, zero) extension cords the better; they’re safety hazards. A good minimum is to have receptacles set at no more than six-foot intervals around the perimeter of the room, and, if possible, flush-mounted floor plugs in the central area.
An interesting variation of this layout is displayed in Jim Tolpin’s shop, shown in the photo at right. Tolpin located his jointer to the left of his table saw, its height low enough to allow panels cut on the saw to pass over the jointer. To save space, his portable planer lives beneath the saw. All three tools are oriented toward the garage-style door, which can be opened to allow long boards to be ripped, jointed, or thickness planed.