I have never worked with my bench up against the wall, because I like to work from all 4 sides of my bench. I do like my machines pushed up against the wall and a large open space in the middle of the shop to facilitate easier movement. I have a Minimax combination machine so by necessity my tablesaw and jointer/planer are bundled together but I would actually prefer they not be (like a Felder machine that breaks apart). I would never put my tablesaw central in my shop, always at one end with a clear entry and egress for the sliding table, space permitting. Putting a tablesaw in the middle always struck me as one thing I’d always have to walk around and/or fight the temptation to stack stuff on it.
With these three power tools (and a few hand tools), I feel like I could make about 80% of the jobs that come through my shop on a daily basis. Obviously, some jobs will require more specialized power tools to complete, but these three probably find their way into almost all of my work. With that said, there are a few other tools that I couldn’t imagine being without and I feel need to be added to the list.
If you work with rough lumber, a planer will be absolutely necessary, except for the most rustic of projects. Every piece of rough cut lumber ends up somewhat not straight, not flat and not consistent in thickness, either from variations during the sawing or from stresses which occur while the wood dries. The planer, combined with the jointer, is a one-two punch to remove these variations and produce straight, flat and consistently thick lumber. The reason the planer is ahead of the jointer on this list is that some lumber is straight enough and flat enough to plane without jointing if the job is a little less finicky, thereby skipping the jointer.
If a poured cement floor prohibits the installation of plug receptacles flush to the floor and you elect to surface-mount a plug, protect the exposed feed wire. A piece of one-by-four stock with a groove cut in its underside and its top edges chamfered, will pose little more tripping risk than a threshold. However, paint its protective covering a bright color to remind you and any other visitors to your shop of its presence.
Under the Occupational Safety and Health Act of 1970, employers are responsible for providing safe and healthful workplaces for their employees. OSHA's role is to ensure these conditions for America's working men and women by setting and enforcing standards, and providing training, education and assistance. For more information, visit www.osha.gov or call OSHA at 1-800-321-OSHA (6742), TTY 1-877-889-5627.
Before you buy a single tool, you need to take a hard look at your workshop space. If your workshop is a freestanding building or empty barn, you can simply measure the perimeter and know that you have the entire square footage at your disposal including the wall space. If your workshop is tucked into the back of a garage or a corner of partially finished basement, you’ll need to plan your furnishings with cars and water heaters in mind.
My shop ended up being 23 x 19 feet, for a total of 437 square feet. I put my wood rack in the basement, but outside the walled in shop area. To keep the dust in the shop, a three part strategy was employed. I have a dust collection system, an air filtration system and a shop vacuum for cleaning dust out of machinery. I put up new walls, installed new electrical service, lighting, and two access doors for ease of materials movement. The shop includes two windows so that I can enjoy natural light, and not feel like I am squirreled away in the basement.
Not happy with the selection of sanding blocks at the hardware store, I made a few of my own from hardwood scraps left over from a woodworking project. I cut each one to 3/4 in. x 1-1/2 in. x 4-1/2 in.—which is just the right size to wrap a quarter sheet of sandpaper around. And the “kerf” cut helps hold the sandpaper in place until I’m ready to change it. —Tim Olaerts. Here are 41 more genius sanding tips you need to know.
KHIEM NGUYEN (Age 28, Austin, TX): Inspired by midcentury modern and Japanese design, Nguyen is a true craftsman. His passion for crafting began with photography and led to him becoming an open major in art school so he could "get (his) hands into everything." After college, Nguyen and his fiancée moved to Austin, where they began A & K Woodworking & Design, specializing in furniture and wood crafts.
If you choose to hire a draftsperson or architect, they may charge you based on the square footage of the area you are proposing, by an hourly rate for their time or as a percentage of the cost of the structure. Costs of building permits will be a percentage of the estimated cost of the structure you are proposing (e.g., $15 permit fee per $1000 or 1.5 percent), or a cost-per-square foot depending on your municipality (e.g., $1.20 per square foot). Design work and permits will both differ depending on the part of the country in which you will be building, so ask the questions as you move ahead. One of the costs that is often overlooked in planning is the increase in annual property tax you will pay once your improved property has been reassessed.
As the comic George Carlin might say, a shop is mostly just “a place to put your stuff.” The physical aspect of a shop is indeed simply a space of some kind — a garage, a barn, a teepee — that keeps the rain, rust, and robbers away and houses a collection of implements needed to saw, plane, slice, sand, and pound raw wood into useful objects. But just like the difference between a house and a home, what transforms a building full of tools into a comfortable workshop goes beyond the mere physical aspect.