Sanding concave molding doesn’t have to be difficult. Find a deep socket that fits the contour of your molding. Wrap a piece of sand- paper around the socket and hold it in place with your fingers. Your sanding will be uniform and the delicate edges of the molding won’t round over. — Eric and Cheryl Weltlich. In this video, Travis talks about his favorite sanding tips.
Afrormosia Alder Andiroba Anigre Ash Apple Aspen Avodire Balsa Beech Bilinga Birch African Blackwood Australian Blackwood Boxwood Bubinga Camphor Cedrela Cherry Chestnut Cocobolo Cumaru Ebony Elm Eucalyptus Hazel Hickory Hornbeam Idigbo Imbuia Ipê Iroko Jarra Jelutong Lignum vitae Linden (lime, basswood) Merbau Mahogany (American, African) Maple Meranti Oak Padauk Pear Plum Poplar Purpleheart Ovankol Ramin Red Quebracho Rosewood Rubberwood Sapele Teak Totara Utile Walnut Wenge Willow Zebrano
Your sense of space and how to use it will be slightly different depending on the focus of your craft. If you are building furniture with hand tools, you will be able to make do with less space (under 300 sq ft.) than if you’re using mainly power tools and building sets of cabinets (over 400 sq ft.). Some 3D modelling with a program like Sketch-Up or some 2D layouts on graph paper with scaled cutouts can allow you to experiment with arranging your space and how much of it you will need. You should include not only the tools, benches and storage that you currently possess but also enough room to tackle new types of projects and new tools that you anticipate needing down the road. When you think you have a layout that works, test it out by mentally working through a range of different projects you might tackle and the needs you will have for material storage, assembly and finishing. Then revise as necessary; this process will allow you to hone in on a general square footage and layout ideas that will set you up to move forward.
For one thing, the rearrange-it-later approach may simply mean that once you’re set up, the haphazard plan becomes the permanent plan, thanks to sheer inertia (it is a pain to move furniture, after all, especially when some of it is as heavy and awkward as workbenches and stationary tools). For another, too little advance planning may mean you buy a power tool that’s too big for your space.
Short scraps of hardwood are too good to throw away but hard to store neatly. So I bought a 4-ft. tube form made for concrete footings, cut it in half (the cardboard-like material cuts easily) and set the tubes on end. I tack the tubes to a wall or a bench leg so they don’t fall over. With the wood scraps stored upright, it’s easy to find a piece just the right length. Tube forms are available in various diameters for $5 and up at home centers. — Bill Wells. Here’s another brilliant use for these concrete forms.
In my shop I use a large number of Jorgenson F-clamps. I use many of the small clamps, the most useful being the 12" version. Large F-clamps are essential for cinching down parts on bending forms. I also like aluminum bar clamps because they are much lighter than steel clamps, and therefore less likely to damage a carcase should you bang into the wood during a glue-up.
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A kind’a unrelated question. I just finished building the lumber storage rack/sheet goods cart from your “racking my brain..” video. I see you went with the metal wall storage rack in your new shop (which I would love also, just can’t afford) but, I was curious why you didnt put another sheet goods cart. Previously I had the stand up sheet goods storage box like I see your current pictures but, from what little I have used the cart, I like it better than the stand up storage. Its easier to get things in and out and see what all I have. The only draw back is that I can’t store as much on the cart as I could with the box storage.
One of the challenges we all face is how to move machines into a home without damaging the home, the machinery, or yourself. I actually had to bring things through the front door, and across hardwood floors, and turn 90° to descend the stairs into the shop. To protect the floors, I laid down sheets of 1/2" MDF that I could use later. On the wooden stairs, I used three strips of softwood strapping, held with wood screws to the stairs. I mounted a 2x4 baton to the wall studs at the top of the stairs, with a 5/16-inch eye-bolt through it.
There are benefits to either approach. Sharing a common wall with your house can require some careful soundproofing but can reduce heat loss and exterior finishing costs like siding. A shop located in an addition is more likely to be allowed to have living space or storage space above it, and it may be easier to make use of the existing plumbing and electrical and heating systems of your home to service your shop space. Another advantage of an addition is not having to run to an outbuilding in minus-30-degree weather or a summer downpour.
With these three power tools (and a few hand tools), I feel like I could make about 80% of the jobs that come through my shop on a daily basis. Obviously, some jobs will require more specialized power tools to complete, but these three probably find their way into almost all of my work. With that said, there are a few other tools that I couldn’t imagine being without and I feel need to be added to the list.
Some of the most important decisions in laying out a shop involve the placement of basic machines, such as the table saw and jointer. Deciding where to put them depends in part on the scale of woodworking you do, which determines the clearance area around these machines if you need to handle long stock or large sheet goods. You’ll also want to consider work flow to avoid an excess amount of running around the shop to accomplish tasks, as well as how to power your machines without turning your shop into a snakepit of extension cords.