Sanding concave molding doesn’t have to be difficult. Find a deep socket that fits the contour of your molding. Wrap a piece of sand- paper around the socket and hold it in place with your fingers. Your sanding will be uniform and the delicate edges of the molding won’t round over. — Eric and Cheryl Weltlich. In this video, Travis talks about his favorite sanding tips.
I do not rip on the table saw as a rule, to prevent kick back that periodically occurs when natural wood pinches the blade, turning the wood into a missile. I bought a fairly powerful saw, so this is one place where a lighter saw would be adequate. Essentially, I use the table saw for ripping sheet goods, cutting dados, tenons, and cutting small parts to length – all of which can be done with a 1.5 HP saw. I ended up with a King 3 HP, three-belt drive, 10" table saw. The castings are true, and the King Tru-rip fence reminds me of the Biesmeyer fence used on the Canadian General saws. The model is KC-11FX, and it can be purchased for less than half of the price of other, similar saws. On this purchase, I went with the suggestion of Jeff at Brettwood Machinery – he was right; a very good value saw that runs smooth, and has a decent fence.
First, let’s take a look at four placement options for the table saw, the machine that is at the heart of most woodshops. The first option (see the illustration) places it in the center of the shop, which lends maximum space and flexibility for ripping and panel sawing, as well as crosscutting long boards. The main requirement here is a shop that’s at least long and wide enough to allow room for the workpiece, both on the infeed and outfeed sides.
Finally, think about the overall color and feel of your workshop. A fresh coat of bright white paint will help your lighting go farther, but you might also consider adding a splash of color for fun. An accent wall or an epoxy floor coating are good ways to upgrade your workshop from drab to fab without adding fussy decorations that will get in the way of business.
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My advice here is to make a detailed list of what the various parts of the build will be (drawings, permits, foundation, framing, electrical, etc.) and decide what you would like to do yourself and what you will need to hire others to do. Get quotes on the work that you would like to hire out and estimate the materials you will need to do your portion. You may want to factor in your time into the cost as well, especially if you will be passing up other income to work on the project. At some lumberyards, you will be able to give detailed drawings to an estimator on staff who will do a material takeoff list for you of what you’ll need and what it will cost. When all the numbers come in, you can put together a budget and plan for an overrun allowance of around 15 percent. If you keep track of the materials and subcontract costs as you go, you can stay on track and make decisions as you go about the latter stages of the project without regretting it later. If it is challenging to obtain funding for a complete build, you may want to stage the build so that initially the frame goes up and the exterior is finished, and then you finish the interior work as you have time or as funds become available.
Tabletop versus Freestanding Tools. When purchasing some power tools (the list includes the jointer, shaper, sander, and even some models of table and band saw), you may decide to opt for benchtop models. A single bench can then serve, alternately, a range of purposes. Make- ready time is increased significantly, of course, as not only the blades, fences, miter gauges, and the rest must be set but the machine itself has to be positioned and powered. But for the small shop, the infrequently used tool may be quite easily stowed on a shelf out of the way, opening up more space for other tasks.
Natural Light. Natural light is best, so any windows that offer illumination to the space should be put to good use. If you have little sunlight in your shop, locate your workbench so that its work surface gets whatever there is. Even the best eyesight is made better by good light, so the close work to be done on a benchtop benefits from the natural light.
Position #3 is where you will likely spend most of your time in the shop. The diagonally placed workbench is the heart of this plan. The wall-mounted workspace that surrounds the bench forms an ideal “work triangle” within which each of your most commonly needed tools is only one or two steps away. The band saw can be placed outside of the work triangle because it is used slightly less frequently and often needs a little more space around it for your lumber to move.
A landscape designer friend of mine tells a story about the college he went to. During his years there, the university embarked upon an ambitious building plan, adding several large structures around the main quad: a dorm, a chemistry lab, and a couple of others. The look of the place, which had remained unchanged for a century, was suddenly transformed, as glass-and-steel modernist structures were interspersed with the earlier ivy-covered stone Victorian-Gothic.
Temperature and Moisture Control. If your workshop is to be located in a portion of your house that is already comfortably warm, this will not be an issue. But if you’re converting a barn or shed or an unheated space, especially if you live in a climate where winter temperatures make for cold hands, you’ll need to devise a heating strategy. In some climates, air conditioning is a virtual necessity in hot weather.
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An interesting variation of this layout is displayed in Jim Tolpin’s shop, shown in the photo at right. Tolpin located his jointer to the left of his table saw, its height low enough to allow panels cut on the saw to pass over the jointer. To save space, his portable planer lives beneath the saw. All three tools are oriented toward the garage-style door, which can be opened to allow long boards to be ripped, jointed, or thickness planed.