Among early finds of wooden tools are the worked sticks from Kalambo Falls, Clacton-on-Sea and Lehringen. The spears from Schöningen (Germany) provide some of the first examples of wooden hunting gear. Flint tools were used for carving. Since Neolithic times, carved wooden vessels are known, for example, from the Linear Pottery culture wells at Kückhofen and Eythra.
To experiment with different wood shop layouts, measure your furniture and equipment to sketch onto your plan in different positions. You can also make cutouts of the footprint of your items so you can easily move them around your floor plan to see how best to arrange them. As you do so, don’t forget to leave adequate spacing around tools and tables.
In each case, we shuffled the bench, jointer, table saw, and band saw across to the top of the stairs, and then tied a rope around each to act as a safety while sliding the machines down the strapping on the stairs. Yeah, the table saw hit the wall, and the promise of a good mud and paint job saved my bacon. The rope worked well, and we were able to get everything down the stairs nice and slowly without any major issues.
In many workshops, band saws and drill presses are not used constantly, so they can be set back out of the way. Jointers and shapers can also sometimes be set back out of the midway, but keep in mind that the more trouble they are to reposition, the less useful they’ll be. Remember, too, that while jointers and shapers take up relatively little floor space, you need to allow space on either side that is at least the length of your longest workpiece: a four-foot workpiece needs about a ten-foot space (the tool, plus four feet on either side). The longer the pieces to be joined or shaped, the greater the space required on either side.
Along the opposite long wall are the planer, combination sander, drill press, bandsaw, workbench, and compressor. Each tool has dust-collection hookups and storage space to keep the relevant tools, bits, blades, and fixtures nearby. The planer is the only tool I have to roll out into the middle of the room to use, which takes about a minute, including connecting the dust-collection hose.
I agree with all of these tips in a larger shop. In a smaller shop (mine is just under 400-square feet) most things are fairly close together anyway. One of my original principals for shop layout was … how is a machining process performed on a piece of wood? Is the wood stationary while it is machined … or does the wood move through the machine? If the wood is stationary, I have tried to have this set for one side wall of the shop. To be specific, I have four machines in one line with a continuous table to support long pieces that might need cutting from one or all of those machines. The machines in that line are (from left to right) the drill press, the powered miter saw, the square-chisel mortiser and the radial arm saw.
Hand tools offer your best chance of finding a real bargain. Until the early 20th century, nearly all woodworking was done with hand tools, and their designs and uses have changed little. Most of the high-end planes on today’s market, for example, are just reproductions of the original designs. And because the originals were mass-produced, they are fairly easy to find at rummage sales and antiques stores. (For more information, refer to Matthew Teague’s article, “Buying Old Tools,” in FWW #180).
In this video James Huggett shares a very detailed tutorial on how to cut a half-blind dovetail joint with hand tools, for use on drawers and case pieces. Jim has cut many dovetails over the years, and here are some of the lovely dovetailed drawers that Jim has made using this half-blind dovetail joint: Notice the deeply scribed layout line on these drawers. That, along with irregular and more delicate pins, are a sure sign
I added an accessory mitre gauge to the saw for accurate cut-off work. The Incra Miter1000 showed up under the Christmas tree after the Lee Valley flyer photo with part number mysteriously ended up on the fridge door with a circle around it last December. A great addition, the Incra is light, accurate, and provides adjustable stops for cutting multiple parts to precise length. I will also make a plywood cut-off sled for the saw for squaring larger panels.
You have a few options for planning your shop space: The first is simply to photocopy the two-dimensional models and use them to create a scale layout of your shop floor. You also can go to my Web site (www.yda-online.com/shopmodels.htm) and download two-dimensional images of each tool to be used either on paper or on the computer. As a third alternative, you can download the same modeling program I used, and create three-dimensional plans.
A board is considered “quarter-sawn” when the growth rings run, more or less, perpendicular to the face of the board. Quarter-sawn boards generally have straight grain and are less prone to shrinkage, compared to other boards. These factors don’t come into play with the 2x4s you use to frame a closet—but it does with the shelves and cabinetry you put into that closet; you want those boards to remain straight, flat and stable.
When you design your workshop setup, climate control often gets ignored — and that’s a huge mistake! If your workshop or hobby room is in an unconditioned space like a garage or basement, you could find that it’s brutally uncomfortable to work in there during warm weather. You’ll be much happier with a solid fan — or several — to keep air moving for your comfort.
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One of the misconceptions about planers is that they make lumber straight. They do some straightening, but they don’t make lumber straight. That is what jointers do. Many lumber mills just send rough lumber through the planer allowing the board to exit the machine with the same ups and downs and whoops that is entered with, only now to a consistent thickness. This is especially apparent when gluing up a couple of these roller coaster type of boards and trying to get them to line up. After a couple of those glue-ups, you will swear by lumber that has seen the jointer before the planer, and never skip the jointer.
Woodworking was essential to the Romans. It provided, sometimes the only, material for buildings, transportation, tools, and household items. Wood also provided pipes, dye, waterproofing materials, and energy for heat.:1Although most examples of Roman woodworking have been lost,:2 the literary record preserved much of the contemporary knowledge. Vitruvius dedicates an entire chapter of his De architectura to timber, preserving many details. Pliny, while not a botanist, dedicated six books of his Natural History to trees and woody plants, providing a wealth of information on trees and their uses.
Once the workshop location is determined, it's time to begin planning how to lay it out. First, acknowledge the need to formulate a plan that's realistic in terms of the space allotted. The size of the structure or workspace will place some constraints on how much can be done. Taking into account size limitations, begin fashioning a plan that keeps efficiency in mind.
Sanding curves is tricky. Sometimes you need a sanding pad that’s both firm and flexible. A small notepad works great. Just wrap sandpaper around the pad and bend the pad to whatever arc you need. Slip the one end of the sandpaper between the pages to help hold it in place on the pad. Give this a try the next time you’re working on a project that has curves and tough to reach spots.
For all of my planning, I must admit there simply was no room in my shop for some tools. I struggled to find a place for my wide jointer and eventually decided against shoehorning it in, instead making a fixture for my router table that joints edges quite well. My scrollsaw, the bulk of my wood supply, and some storage cabinets didn’t make the cut either. These remain in a nearby room.
Let’s be clear about one thing: No workshop is perfect for everyone. If there were, I could simply give you a precise plan to follow with clear dimensions. Every person who comes to the hobby, avocation, or profession of woodworking has his own particular collection of tools and his own peculiar work style, skills, and desires for the kind of woodworking he wants to do that gives him a unique approach as to how he will lay out a shop: where the tools should go, where lumber and supplies are stored, and how much bench area he needs.