I do not rip on the table saw as a rule, to prevent kick back that periodically occurs when natural wood pinches the blade, turning the wood into a missile. I bought a fairly powerful saw, so this is one place where a lighter saw would be adequate. Essentially, I use the table saw for ripping sheet goods, cutting dados, tenons, and cutting small parts to length – all of which can be done with a 1.5 HP saw. I ended up with a King 3 HP, three-belt drive, 10" table saw. The castings are true, and the King Tru-rip fence reminds me of the Biesmeyer fence used on the Canadian General saws. The model is KC-11FX, and it can be purchased for less than half of the price of other, similar saws. On this purchase, I went with the suggestion of Jeff at Brettwood Machinery – he was right; a very good value saw that runs smooth, and has a decent fence.
Once the workshop location is determined, it's time to begin planning how to lay it out. First, acknowledge the need to formulate a plan that's realistic in terms of the space allotted. The size of the structure or workspace will place some constraints on how much can be done. Taking into account size limitations, begin fashioning a plan that keeps efficiency in mind.
While many woods can be used for carving, there are some clear favorites, including Aspen, Basswood, Butternut, Black Walnut, and Oak. Because it has almost no grain and is notably soft, Basswood is particularly popular with beginner carvers. It is used in many lower-cost instruments like guitars and electric basses. Aspen is similarly soft, although slightly harder, and readily available and inexpensive. Butternut has a deeper hue than Basswood and Aspen and has a nice grain that is easy to carve, and thus friendly for beginners. It's also suitable for furniture. While more expensive that Basswood, Aspen, and Butternut, Black Walnut is a popular choice for its rich color and grain. Lastly, Oak is a strong, sturdy, and versatile wood for carving with a defined grain. It's also a popular wood for furniture making.
Set the table saw fence so the blade is centered on the seam, then push the whole thing through the saw. If the board edges are quite bowed or curvy, you may need a second pass. If so, unscrew the cleats, reclamp the boards across the middle center, then screw on the cleats again. The screws ding up the ends of the boards a little, so cut the boards you’re jointing a bit long, then trim 1/2 in. from each end to remove the screw holes.
Line ’em up — Most other woodshop machines work harmoniously when lined up along the walls, where they are easy to power and connect to dust collection. The amount of space left between these tools depends on the amount of room you have, the size of the stock you work with, and whether or not adjacent tools have tables at the same height. You can always pull a machine away from the wall if additional space is needed. Clearly, these options are not the only possibilities and are contingent upon the mix of machines you have, the shape and size of your shop, and the kind of work you do. The bottom line is if the layout works for you, then that’s the best for your shop (and don’t let anyone tell you any different!).
In this video Dave Heller shares an introduction to wood veneering and wood inlay for furniture making. What is veneering and inlay? They are traditional methods used to embellish and beautify furniture. Veneering is the process of gluing thin slices of attractive (and often rare) wood onto core panels. Inlay involves insetting wood, precious stones, etc. into the wood. Here's a prime example of one of Dave's boxes that incorporates both techniques: Here is an example
The thickness planer can joint a board's face. On this simple jig, the stock is supported by twin rows of wood screws driven into a platform and adjusted to meet the varying clearances on the underside of the board. The stock rides the sled cup side up. Slide the board slightly sideways to adjust the screws, then seat it firmly on the screw heads for planing.
To experiment with different wood shop layouts, measure your furniture and equipment to sketch onto your plan in different positions. You can also make cutouts of the footprint of your items so you can easily move them around your floor plan to see how best to arrange them. As you do so, don’t forget to leave adequate spacing around tools and tables.
You need an out-feed table to support work exiting the table saw and band saw. By placing the tools close together, I was able to make one out-feed table that works for both tools. I put four pivoting wheels on the table, allowing me to shift the table in any direction. By placing a shelf below the table, I gained some much needed storage space for portable power tools. Finally, since this is a large work surface, the table also serves as a true, flat assembly table.
A kind’a unrelated question. I just finished building the lumber storage rack/sheet goods cart from your “racking my brain..” video. I see you went with the metal wall storage rack in your new shop (which I would love also, just can’t afford) but, I was curious why you didnt put another sheet goods cart. Previously I had the stand up sheet goods storage box like I see your current pictures but, from what little I have used the cart, I like it better than the stand up storage. Its easier to get things in and out and see what all I have. The only draw back is that I can’t store as much on the cart as I could with the box storage.
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A shop geared toward woodworking would have lumber storage located at one corner of the triangle. Storage space for wood — both long pieces and flat plywood pieces — should be adequate. Raised storage, such as racks or shelves mounted on the wall, must be sturdy. Wood storage should also be in close proximity to the stationary tools or machines (table saw, jointer, power planer, etc.) to avoid frequently carrying heavy wood across the span of the workspace. Wood storage should be handy and near the area where the heavy woodworking tasks will take place. Keep in mind that a considerable amount of space will be needed around stationary tools such as a table saws and jointers for manipulating large pieces of raw lumber.
For one thing, the rearrange-it-later approach may simply mean that once you’re set up, the haphazard plan becomes the permanent plan, thanks to sheer inertia (it is a pain to move furniture, after all, especially when some of it is as heavy and awkward as workbenches and stationary tools). For another, too little advance planning may mean you buy a power tool that’s too big for your space.
Lumber storage is spot on, I think especially for a basement shop – I used to store my lumber at the furthest point from the outside door, and it wasn’t until I moved it closest to the door that I realized how much of a difference it could make. And sheet goods are starting to be stored and broken down in the garage more so I don’t have to fight them into the basement.
Next come two options for the table saw’s trusty sidekick, the jointer, as well as for the thickness planer. Because it’s usual to work between all three tools when dressing lumber, the first option, shown in the illustration, locates the jointer nearest the saw to the right of its extension table with the planer nearby. As with the table saw, it always makes sense to align these tools with the shop’s long axis.