The beauty of a portable A/C unit is that you don’t have to heft it into a window and block off a valuable source of fresh air for keeping paint fumes at bay. Instead, choose a model with a low profile that you can tuck under a table or against a wall when not in use — a model with casters for maximum maneuverability is ideal. Choose a high-powered unit that will condition at least 400 square feet of space and move it where you need it for maximum comfort as you work.
My shop ended up being 23 x 19 feet, for a total of 437 square feet. I put my wood rack in the basement, but outside the walled in shop area. To keep the dust in the shop, a three part strategy was employed. I have a dust collection system, an air filtration system and a shop vacuum for cleaning dust out of machinery. I put up new walls, installed new electrical service, lighting, and two access doors for ease of materials movement. The shop includes two windows so that I can enjoy natural light, and not feel like I am squirreled away in the basement.
Usually ducting is well covered and one of the first things considered, however, most people initially neglect clean up when designing shops. With growth, I have a very cluttered shop that makes pulling shop vacs around frustrating especially if you’re at the wrong end of a 5m flexible hose without having to struggle with the vac (the practice of in no doubt exacerbated by those ridiculous vacuuming ads on TV). As my setup is retro fitted, it may not be pretty as it is ducted overhead, but it is productive. I have a centralised heavy duty ‘shop vac’ (rigged with a Dust Deputy) and 50mm stormwater piping radiating to selective parts (corners) of the workshop. I use 50mm water diverters to act as blast-gates to control the flow of air (I have a bank of them running down one full side of the workshop spaced about 5m apart). When I need to clean a part of the shop I plug the vac into the appropriate overhead vent, organise the diverters and attach a 5m flexible hose to the working end. I have the vac on a remote (one of those that control power points – all my dust extraction is controlled by these – after modifying any proprietary mag switches) and I can vacuum any part of my workshop without having to go and manually switch the vac on. I have bought some cheap off market flexible hoses and spread them at the extremities of the workshop. Each outlet will accept the hose. Hint – I bought a fairly low end 3D printer ($800 (Aust)) and I can print any sized coupling to accommodate all those non-standard ‘shop vac’ hoses/fittings to accept my proprietary shop vac accessories. Duct tape is now reserved for the few threaded non-standard couplings.
How do you divide 11-3/8-in. (or any other mathematically difficult number) into equal parts without dividing fractions? Simple. Angle your tape across the workpiece until it reads an easily-divisible dimension and make your marks with the tape angled. For example, say you want to divide an 11-3/8-in. board into three equal parts. Angle the tape until it reads 12-in., and then make marks at “4” and “8”. Plus: More measuring tips and tricks.
Typically furniture such as tables and chairs is made using solid stock from hardwoods due to its strength and resistance to warping. Additionally, they also have a greater variety of grain patterns and color and take a finish better which allows the woodworker to exercise a great deal of artistic liberty. Hardwoods can be cut more cleanly and leave less residue on sawblades and other woodworking tools. Cabinet/fixture makers employ the use of plywood and other man made panel products. Some furniture, such as the Windsor chair involve green woodworking, shaping with wood while it contains its natural moisture prior to drying.
In many workshops, band saws and drill presses are not used constantly, so they can be set back out of the way. Jointers and shapers can also sometimes be set back out of the midway, but keep in mind that the more trouble they are to reposition, the less useful they’ll be. Remember, too, that while jointers and shapers take up relatively little floor space, you need to allow space on either side that is at least the length of your longest workpiece: a four-foot workpiece needs about a ten-foot space (the tool, plus four feet on either side). The longer the pieces to be joined or shaped, the greater the space required on either side.
Second is the operating space around the machine. When the table saw is used to cut a piece of four-by-eight-foot plywood, the tool space increases geometrically, as the thirty-two-square-foot sheet of stock is pushed and pulled through the blade. Even if you’re not planning on using your table saw to cut plywood, you need to allow ripping and crosscutting space. This means that in front of and beyond the blade, you need distances at least as great as the length of the longest board you’ll need to rip; and that you’ll require space for cutoff work on either side of the saw.
If your shop is long and narrow, option 2 provides maximum space to the left of the fence for handling large sheets of plywood. If you often work with full sheets of plywood or other sheet goods, you might want to build the table saw into an extension table surround, as San Diego woodworker Pat Curci did in his small shop (see the photo). The surround offers support for large panels, as well as provides an ample work surface near the saw.